In Paris, “Gustave Fayet, Collector-Designer: Icons of Modern Art” brings together masterpieces by Cezanne, van Gogh, Gauguin, Redon, and more. Vincent van Gogh’s Self-Portrait with Bandaged Ear and Pipe, January 1889 emerges like a vaguely familiar, climactic apparition about a third of the way through the new blockbuster exhibition at the Fondation Louis Vuitton (FLV).
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Questions New Yorkers may ask
What is the main point for New York readers?
In Paris, “Gustave Fayet, Collector-Designer: Icons of Modern Art” brings together masterpieces by Cezanne, van Gogh, Gauguin, Redon, and more. Vincent van Gogh’s Self-Portrait with Bandaged Ear and Pipe, January 1889 emerges like a vaguely familiar, climactic apparition about a third of the way through the new blockbuster exhibition at the Fondation Louis Vuitton (FLV).
What should readers check next?
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Does this prove wrongdoing?
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