The Colombian artist spent three years crafting a monumental structure out of human hair for her new show at White Cube in New York. Doris Salcedo is best known for her moving “anti-monuments,” gigantic artworks—or sometimes negative spaces—that propose new ways to commemorate atrocities. Always, she focuses on the victims’ perspectives. Her best-known work, Shibboleth.
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Questions New Yorkers may ask
What is the main point for New York readers?
The Colombian artist spent three years crafting a monumental structure out of human hair for her new show at White Cube in New York. Doris Salcedo is best known for her moving “anti-monuments,” gigantic artworks—or sometimes negative spaces—that propose new ways to commemorate atrocities. Always, she focuses on the victims’ perspectives. Her best-known work, Shibboleth.
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Does this prove wrongdoing?
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