Through his “distance montage” technique, the Armenian filmmaker’s masterpieces are built around impressions, not stories. Artavazd Pelechian said his piece, and his admirers have waited decades for the world to take notice. The Armenian filmmaker, active primarily during the Soviet era, has a concise oeuvre: 13 works, mostly shorts, with two features that barely crack.
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Questions New Yorkers may ask
What is the main point for New York readers?
Through his “distance montage” technique, the Armenian filmmaker’s masterpieces are built around impressions, not stories. Artavazd Pelechian said his piece, and his admirers have waited decades for the world to take notice. The Armenian filmmaker, active primarily during the Soviet era, has a concise oeuvre: 13 works, mostly shorts, with two features that barely crack.
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