The beauty of the Native artist’s forms seduces, but the visual history of destruction is embedded into each element. Two years ago, I encountered the infamous 1892 image of two men with a hill of buffalo skulls at the Baltimore Museum of Art. It was covered by a small wall-mounted curtain designed by Yurok artist.
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What is the main point for New York readers?
The beauty of the Native artist’s forms seduces, but the visual history of destruction is embedded into each element. Two years ago, I encountered the infamous 1892 image of two men with a hill of buffalo skulls at the Baltimore Museum of Art. It was covered by a small wall-mounted curtain designed by Yurok artist.
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